Tuesday, June 18, 2019
Feminist Analysis of TV Show 30 Rock Essay Example | Topics and Well Written Essays - 750 words
Feminist Analysis of TV Show 30 Rock - Essay ExampleThis factor threatens male egocentricity. Feminine perceptions argon more humanistic. This is manifested in the show 30 Rock and its popularity. Feminists with Marxist perceptions would place emphasis on the manner in which the social systems and motivations of capital gain pull in hindered the humane feminist values from coming to light. Feminists with a base perspective would close up that the subduction of this feminist approach is a result of male egocentricity. This is also repayable to societys insistence of sexual orientation, rather than making allowances for individual freedom of choice. in that location is also the insistence of the perception of the consumption oriented nuclear family. Feminists who maintain a liberal perspective perceive things in a different light ( Kaplan 252). The feminine perspective is essential to the male dominated society as show by the relationship between Liz (Tina Fey) and Jack (Alex Ba ldwin). There exists the possibility of interchanging sexual identities. In order to totally become human, different perspectives must be adapted. The American television series 30 Rock, demonstrates the interchange of roles between masculine and feminine genders. Prior to the 1990s, during the era of 1963- 1980, females were only portrayed as sexual objects or for the fulfilment of masculine needs. The sexual objects and need fillers were put into place in order to fulfill the masculine requirements and desires. This resulted in the feminist desire to eradicate this type of subduction (Kaplan 253). There are three categories of feminist, each with a specific motivation and objective ( Kaplan 252). The feminist perspectives which were popularized in the 1990s are still popular today. The first phratry of feminist evaluation and research requires that the members of the female gender be treated as peers. This venue has two possible outcomes. One approach may conclude with domestica ted feminism. This is representative of feminine roles of the nineteenth century. The second possible outcome of this venue is a liberal female female perspective, which is more representative of the present. From my feminist perspective, Liz (Tina Fey) is the embodiment of both. In the liberal feminine perspective, females are allowed to vie within the institutional framework for equal rights to employment and self determination. This requires that the female be perceive as a peer. This perception by society includes the rights and obligations of equal treatment. This perspective has resulted in the American male adopting the roles in the household which would be normally classified advertisement as feminine such as cooking, cleaning, babysitting (Kaplan 254). A primary type of feminine role perception exists in Diana Meehans Ladies of the Evening Woman Characters in Prime Time Television. The second category of feminine television production is viewed by the pre- Althusserian Ma rxist feminist perspective. This perspective perceives television as an extension of capitalist society. These theorist propose that television interests are founded upon the manipulation of the television viewer as a consumer Kaplan 257). A third category of feminist evaluation arises from the radical feminist perspective. In this perspective, the female gender is perceived as superior. Liz (Tina Fey) perceives herself as superior, she does not need a relationship with a man. Liz (Tina Fey) can get things do by herself.
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